In The Watery Sky
For 25 years I have been working exclusively in the tondo form. Roundness is fundamental to my visual thinking. The form is uniquely able to convey an essence of interconnection, wholeness and metaphysical purpose. The energies within our physical world are interconnected; I am interested in the process of elucidating those interconnections. I thin oil paint until it is in a fluid form, building up layers and producing a luminous, subtle, rich surface. The paint is added on top of a gilded surface. The gilded ground, whether copper, silver, 23k gold or 12k gold provides a distinctly “other-worldly” space. It evokes a universal space including our physical plane.
Light suffuses our world – its energy shapes the mood of each day. I use color as pure light, physical energy, creating complex shades and tones that reconnect energies present in the everyday world with my own as well as viewers’ experiences. My work gives you a way to have a visual experience of your own energy. Similar to looking in a mirror, when you look into one of my paintings, you respond to the color, nuance and energy that is embedded in the piece. You have an experience of your energetic self, manifested in the physical properties of the paint. I use the gilded ground as a cue; just as the artists of the Renaissance used gold leaf to signify spiritual aspects, my use of gold does not hold a decorative intention. I intend that the precious metal indicates something beyond our physical world, something metaphysical.