Tag: composition


PHOTOS: Coffee, Chocolate & Art at WNWN 2016


On Thursday, September 22nd transFORM and their Media Sponsor, Aspire NY Metro, participated in the New York Design Center’s 8th Annual “What’s New, What’s Next” event at 200 Lexington Ave.

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The celebration included over 80 participating showrooms featuring product introductions, informative lectures, book signings and soirees. The building wide event drew in over 7,000 people, giving them the opportunity to view new ideas, designs, materials and products. This year also marked the New York Design Centers 90th Anniversary. From Thom Filicia and Jamie Drake to Wendy Goodman and Amy Astley, the building was filled with the industry’s top designers and editors – there was even a special visit from Hillary and Donald!

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With so many exciting activities, guests were fiending for an energy boost. transFORM happily welcomed visitors into their showroom for a refreshing afternoon of chocolate, coffee and art.

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Sarah Endline and her company Sweet Riot, makes all natural healthy chocolate treats and snacks in a socially responsible way. Among the assortment was Sweet Riot’s Kickin’ Coconut  & Crunchy Quirky Quinoa dark chocolate bars as well as lightly roasted Cacao nibs. transFORM supplied Grounds For Change coffee, a Washington State coffee roaster specializing in 100% Fair Trade. This delicious and sustainable combination allowed guests to refuel and recharge as they continued on through the New York Design Center’s building wide events.

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In the early evening, transFORM Gallery hosted an informal artist talk with International Photographer Jean-Luc Mege. The discussion was centered around his high-end, premium composite acrylic glass photographs, which were on display throughout the gallery. Jean-Luc Mege covers, illustrates and immortalizes scenes from around the world. He has a rare ability to tell a story through his photographs. The force of the narrative comes from a unique path: Jean-Luc’s eye is imbued with great empathy, an unprecedented tenderness and an innate sense of composition.

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Artists Rachelle Krieger, Catherine Latson and KellyAnn Monaghan also had the opportunity to speak about their exhibiting work.

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Rachelle’s paintings are part of numerous private and corporate collections and can been seen in public spaces throughout the United States including at the Westin Hotel in New Orleans, the Ritz Carlton in DC, the Marriott Marquis in DC, and the Texas State Bank in Dallas. Rachelle’s work reflects the nature preserves, seascapes and woods near her home in Port Washington, NY. More recently she has taken and exciting directional turn into bold and dynamic abstractions of nature and nature’s forces.

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Catherine Latson’s “Garment Series” offers an unconventional take on the art and engineering of self-decoration. Using exclusively organic and repurposed materials, the language of clothing is explored. Garment forms are reimagined in tapioca root, magnolia leaves, moss, birch, sea urchin shells, amaranths, hydrangea petals, peacock quills, and more. While the forms are recognizably human, they are fragmented, weathered, and curious.

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KellyAnn Monaghan uses landscapes and urban landscapes as a journey and stage for the drama of light, air and movement. She attempts to see past the structured architecture into the otherworldly qualities of the landscape. There is emptiness and solitude in the spaces she paints; yet they have a quality of human presence through the atmosphere and illumination.

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While enjoying coffee and sweet treats, the attentive audience asked interesting questions and added to the commentary.

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transFORM Gallery was especially excited over the sale of Jean-Luc’s first class print, “Grand Central Terminal”.

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Unlike the traditional art gallery format, where art is presented on blank white walls, our artwork is hung in home-like settings, making it easier for the client to visualize it in their own environments. – a quality that’s highly regarded in the design industry. Interior design and decorating have a need for the energy, mood and life that is brought into a space by original artwork.

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Throughout the day transFORM Gallery provided industry partners, tastemakers and more an opportunity to discover a variety of mediums from painting and sculpture to mixed media and photography.

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Our NYC designers were also available throughout the event to provide interested guests with one-on-one tours of the showroom.

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In honor of “What’s New, What’s Next”, transFORM introduced their Multifunctional Men’s Apartment, which included a horizontal wall bed, custom wardrobe & dual-purpose desk.

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Featured in Desert Oak and Dusk Frake from Shinnoki and finished with Red Port High Gloss and Black Leather accents, transFORM’s newest installation features an array of custom cabinetry for added storage.

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After a brief introduction from Andreas Mesis (Co Owner) and Donovan Malloy (Marketing Director), transFORM’s Design Research & Product Development Director Daniel Steps, began his presentation on smart living in small urban spaces. “Tackling the Trend – Living Large in Tiny Homes and Micro-Apartments” explained how new advanced hardware and materials can create exciting designs that maximize space and function in compact apartments.

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transFORM enjoyed being introduced to and getting to know new members of our design community.

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Thank you to all that came to the event – we look forward to seeing you there again next year!

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SJ Riley a.k.a Sonne Hernandez


Crushed

Crushed

SJ Riley
Oil on Canvas
16" x 20"
$900

Typo II

Typo II

SJ Riley
Oil on Canvas
20" x 24"
$1,800

Fast Car

Fast Car

SJ Riley
Oil on Canvas
18" x 24"
$1,500

Marilyn

Marilyn

SJ Riley
Oil on Canvas
18" x 24"
$1,200

The Queen

The Queen

SJ Riley
Oil on Canvas
18" x 24"
$1,200

Tigger

Tigger

SJ Riley
Oil on Canvas
36" x 40"
$4,500

Glimpse

Glimpse

SJ Riley
Oil on Canvas
5ft x 6ft
$6,500

Army

Army

SJ Riley
Oil on Canvas
24" x 30"
$1,800

Crushed Back

Crushed Back

SJ Riley
Oil on Canvas
16" x 20"
$900

Checks and Balances

Checks and Balances

Sonne Hernandez
Oil on Canvas
4ft x 6ft
$4,500

Flip Side

Flip Side

Sonne Hernandez
Oil on Canvas
36" x 36"
$2,500

System Preferences

System Preferences

Sonne Hernandez
Oil on Canvas
36" x 36"
$2,500


 
Bio PicBrooklyn based artist, S J Riley, focuses in on the details and movement of her subject. Her abstract photo-realism oil paintings evoke the viewer to both come closer and stand back to visually process her paintings. The subject matter is blown up or in movement to the point where the contents become hidden. The absence of hard lines and instead soft layered brushstrokes’ that bleed into one another give the surface a very abstract feel. Until the subject reveals itself and suddenly it’s realism.  

Riley approaches her composition with her deteriorating eyes, being severely near-sighted she mimics how she sees her world around her. Having to come very close to recognize the object while everything around it disappears and from a distance how objects just bleed into one another or produce movement. The final outcome is a feeling of larger than life.

Tracy Helgeson


Bound By Shadows

Bound By Shadows

Oil on Wood Panel
24” x 30” x 2”

Divided

Divided

Oil on Wood Panel
9” x 18” x 1”

Surrounding Hills

Surrounding Hills

Oil on Wood Panel
18” x 18” x 1”
SOLD

Sweet Corn at Sundown

Sweet Corn at Sundown

Oil on Wood Panel
16” x 18” x 1”

The Big Pink (Barn)

The Big Pink (Barn)

Oil on Wood Panel
30” x 40” x 2”

Dark Barn with Sheep

Dark Barn with Sheep

Oil on Wood Panel
18” x 14” x 1”
$1,200

Sheep Study #838

Sheep Study #838

Oil on Wood Panel
5” x 7” x 1”
SOLD

Sheep Study #839

Sheep Study #839

Oil on Wood Panel
6” x 6” x 1”

Sheep Study #840

Sheep Study #840

Oil on Wood Panel
6” x 6” x 1”
SOLD

Barn Study #827

Barn Study #827

Oil on Wood Panel
6” x 6” x 1”

Red Dress

Red Dress

Oil on Wood Panel
48" x 36" x 2"

 

Tracy-headshot

Artist Tracy Helgeson paints the classic subject of America’s rural culture and agricultural community, capturing an era once forgotten, yet preserved at the same time. There is a modern, otherworldly take on her subjects and locations.

Tracy explains it best, “In creating a painting, my intent is to capture an evocative feeling and an essence of a landscape, structure or person that I feel a connection to. The images that I choose usually have a basis in reality, but I often alter composition, color and light to more accurately express my feelings about how and what I see.

I truly appreciate the process of painting; the texture of the surfaces that I prepare, the richness of the colors and glazes that I choose, the softness of a brush, the smell of the paint, medium and solvent and the excitement of creating an image.”

Charlotta Janssen


Agricultural Abundance, Do Not Spindle: Cow

Agricultural Abundance, Do Not Spindle: Cow

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
52" x 72"

Two Boxers

Two Boxers

Acrylic & Iron Oxide Onto Paper
20" x 30"

The Fabric of Lincoln

The Fabric of Lincoln

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
24" x 36"

Buffalo Soldier

Buffalo Soldier

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
24" x 72"

Man and Machine: Flight (Clifford Harmon before the Crash)

Man and Machine: Flight (Clifford Harmon before the Crash)

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
48" x 48"

Man and Invention: Coxey’s Lifesavers & Water Wings

Man and Invention: Coxey’s Lifesavers & Water Wings

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
48" x 72"

I Want To Thank Bank of America For My Adjustable Rate Mortgage

I Want To Thank Bank of America For My Adjustable Rate Mortgage

Oil, Acrylic, Iron Oxide & Collage Onto Canvas
48" x 72"

 

Charlotta-headshot

“I work in a subject matter of portraiture, politics, and banality. I’m a figurative painter, though to me it’s so abstract, that it’s concrete: I just like having a figurative excuse to distribute paint unevenly onto a canvas. My medium is acrylic, oil, iron oxide (rust) and collage. The color spectrum is narrow on the cusp of black and white and color: core tones are black, white, teal and rust.

I am strongly influenced by the great void of Americana, classic portraiture, my German roots and my life in Brooklyn which to me is the tactility of the now: t a lot of urban decay which I often express in collage onto the painted work. I’m awestruck by Romare Bearden for his great use of collage and composition, Jacob Lawrence for his use of simple materials (cheap paints and lined pages) to make great work, Francis Bacon for his fearless exposure of the un-pretty human shape as well as Lucian Freud, Edward Hopper for his almost effortless depiction of the void and Norman Rockwell for his courageous depiction of kitsch. Photographers such as Ingrid Maier, Walker Evans and Dorothea Lange inspire me for their stark light and strong composition of people in every day settings as well as Disfarmer for his awkward portraiture.

I love the human stench with all its faults and beauty. I love painting it into what I call augmented portraiture: a portrait /painting with collage and retro-collage, giving you the tactility and possibly of glance at the person’s or persons’ “now” and “story”. It’s a way of bringing in sound bites, textures, abstract shapes and color into the composition.”