Tag: interior


Q&A With DiMauro Dance


Earlier this week, we got the chance to speak with Jessica DiMauro -Artistic Director/Choreographer of DiMauro Dance. Through a quick Q&A, Jessica gave us some insight on the history and inspiration behind DiMauro Dance.

We’re so excited to welcome the team to our Manhattan showroom on February 4th from 5-8pm at 200 LEX. 

They will be preforming a modern dance routine at the Opening Reception of ‘the Fanciful World’. This event will coincide with transFORM’s Second Annual 7th Heaven Design Party, sponsored by the Interior Design Society, New York Chapter. All of the showrooms on the Seventh Floor of the New York Design Center will be open and full of surprises to make your evening magical. Each showroom will be presenting their own innovative designs, unique displays, crafted cocktails and heavenly culinary indulgences.

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(Photography by Yi-Chun Wu)

DiMauro Dance is a five-member company characterized by the use of emotional intent, athleticism, grounded physicality and urban influenced movement. The company is based in Manhattan, with roots in Westchester County. Jessica’s choreography has been seen at venues throughout the Tri-state area.

Q: What is your main inspiration for dance?

A: As a choreographer deeply invested in the artistic exploration of the human experience, I am intrigued by the challenge of developing literal gesture into abstract movement while keeping the emotional integrity. In my work, the body is used as a vessel to express the rich layers of human emotion. I am constantly fascinated by the body’s ability to express subtlety and grace, and conversely show aggression and struggle. My choreography tells a story or sheds light on a particular subject, while giving the performer the opportunity to viscerally experience the emotional intention through movement. I compose movement that is structurally athletic and emotionally driven by raw human emotion. Through performances that utilize community participation as a foundation, I have made it a goal to bring the public into the world of concert dance; specifically the infrequent dance spectator who is intimidated, frustrated or confused by the opacity of modern dance. As an artist, I want to create work that entertains with depth. Personal stories and emotional journeys are revealed through movement that is accessible and experienced by the people who watch it.

Q: What made you want to create your own dance company?

A: In 2006, I created DiMauro Dance in response to the lack of opportunity for modern dancers. My peers and I were craving performance experience and I became proactive in searching out opportunity for us as a group. Since then, many of my dancers have changed, but the goal remains the same; creating a place for us and our art to be seen and experienced.

Q: Where are the different venues that you have performed at?

A: We have performed our work at traditional venues, including Manhattan Movement & Arts Center, The Flea Theater, Purchase College, and The Crystal Theater. We have also engaged in cite-specific work at non-traditional venues such as a community garden in Manhattan and a floating barge on the Hudson River.

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(The Annual Benefit for the Steffi Nossen School of Dance and The Dance in Education Fund, Purchase College – Photography by Bill Bramswig)

Q: Can you clarify your connection with the Steffi Nossen School of Dance in White Plains?

A: We do not operate as a school, but rather a fiscally sponsored dance company made up of freelance artists. However, we are very much connected to Steffi Nossen School of Dance in White Plains, NY. Aside from being Artistic Director of DiMauro Dance, I am also Artistic Director of Steffi Nossen and many of my dancers have taught there. We have done company residencies and many performances through the dance school, as well as have an ongoing Space Grant from their dance foundation.

Q: What style of dance do you prefer?

A: We work primarily in modern dance but continue to be inspired by a number of dance genres.

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(Photography by Yi-Chun Wu)

Q: What challenges do you think you’ll encounter when preforming at our space?

A: We rarely have so much space to move in! The challenge will be utilizing the space in the hallway portion of our performance, and then majorly downsizing when performing in the gallery.

Q: What are you most excited about when performing at our space?

A: We love bringing modern dance into non-traditional settings! I am also thrilled that we will be including live music in this performance!

For more information about this event please visit here. 

Jessica DiMauro Short Reel 2014 from Jessica DiMauro on Vimeo.

 

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Keith Green Holiday Sale | Now – 1/10/16


Hey! Ho! Lets go!

After numerous inquires from Dee Dee Ramone fans, photographer, Keith Green is offering a rare print from his documentary series, “Dee Dee Ramone: Cold Turkey at the Chelsea” – now through January 10, 2016.

“The gift-giving holidays are here, and what better gift idea than a collectable, signed limited edition museum quality print. I’m making a rare offer of an 8X10 fiber- based silver gelatin, signed print of punk icon, Dee Dee Ramone from the Chelsea Hotel series. The photograph will be hand-printed by New York City’s premier black and white print maker, Laurent Girard whose printed the images from this Chelsea Hotel series exclusively since the beginning, as well as making prints for the likes of Bob Gruen, Mick Rock, Patti Smith and Lou Reed to name a few. The offering price is 250/USD ( +10 for shipping & handeling), and will run through January 10, 2016.” – Keith Green

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Dee Dee Ramone, The Chelsea NYC 1 | 8″ x 10″| Unframed| $250 USD

 

Payment Information:

transFORM Gallery accepts cashier’s checks and personal checks. We also accept Visa or MasterCard. When paying with a card, payments are processed online at: transformhome.com/payments.

In the Account #  box, please write “Art” and the days date, (for example: Art120915).

 

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Click here for more information on Keith Green.

 

Paula Barragan


Futuro Pluscuamperfecto

Futuro Pluscuamperfecto

Adobe Illustrator Collage, Archival Print
43" x 79"
$3,200

Mosca Mashpi

Mosca Mashpi

Adobe Illustrator Collage, Archival Print
44" x 38"
$2,100

Desde el Canopi

Desde el Canopi

Adobe Illustrator Collage, Archival Print
43" x 51"
$3,000

Jungla de Papel II

Jungla de Papel II

Adobe Illustrator Collage, Archival Print
43" x 51" (Artist Proof)
44" x 51" (Normal Size)
$3,000

Labios de Manray

Labios de Manray

Adobe Illustrator Collage, Archival Print
22" x 78"
$1,600

Geografía Marina

Geografía Marina

Adobe Illustrator Collage, Archival Print
Edition: 2/60
28" x 22"
$750

Papayanet

Papayanet

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

Naranjito

Naranjito

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

Castañuela

Castañuela

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

OLYMPUS DIGITAL CAMERA

“My first studies were in design and illustration and this has influenced all my further work. Together with my artistic vision I have developed a creative process expressed in all my projects, my etchings, drawings, and paintings. I proceed in distinct ways according to the work I wish to present. When I begin a graphic design project I must communicate a certain message. On the contrary, when I start an etching, a drawing or painting I prefer to let my intuition work.

I find it difficult to explain the way I work some of my art projects but perhaps the strongest reason is the profound pleasure I experience during the process of discovering things. Even though sometimes this brings tension and stress.

I love creating with my hands and I put the same energy into all types of art with out making distinction between crafts and design, drawing, or printing. Above all I find deep satisfaction in good, new discoveries and working hard at all aspects of my work.

I work on very different themes. These give me space to tell various situations and stories of life. I have the possibility to express emotions; shyness, delight, misfortune; through forms and lines, color and light. I draw my ideas and the lives of people, animals and actions taking place in different spaces inside paintings, prints or drawings. I enjoy profoundly the process of doing my work.”

John Greene


Fencepost A-F

Fencepost A-F

Oil and Encaustic on Fencepost
3.5" on each side
SOLD

Fencepost G-L

Fencepost G-L

Oil and Encaustic on Fencepost
3.5" on each side
$500 per cube

Untitled Silver #1

Untitled Silver #1

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #2

Untitled Silver #2

Oil and Encaustic on Panel
30" x 30"
$4,000

Untitled Silver #3

Untitled Silver #3

Oil and Encaustic on Panel
30" x 30"
$4,000

Untitled Silver #4

Untitled Silver #4

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #5

Untitled Silver #5

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #6

Untitled Silver #6

Oil and Encaustic on Panel
24" x 24"
$3,000

Untitled White with Colored Paint Chips

Untitled White with Colored Paint Chips

Oil and Encaustic on Panel with Cooper & Mixed Media
12" x 12"
$1,500

 Untitled Nail #1

Untitled Nail #1

Oil and Encaustic on Panel with Mixed Media
19.5" x 43"
$9,000

 Untitled Nail #2

Untitled Nail #2

Oil and Encaustic on Panel with Copper & Mixed Media
24" x 24"
$5,000

 Untitled Nail #3

Untitled Nail #3

Oil and Encaustic on Panel with Lead & Mixed Media
24" x 24"
$5,000

 Untitled Nail #4

Untitled Nail #4

Double Sided - Standing Piece
Oil and Encaustic on Panel with Mixed Media
12" x 8" x 1.5"
$2,500

Untitled Figurative #1

Untitled Figurative #1

Oil and Encaustic on Panel
30" x 24"
$6,000

 Untitled Landscape #1

Untitled Landscape #1

Oil and Encaustic on Panel with Copper
48" x 48"
$17,000

Untitled Landscape #2

Untitled Landscape #2

Oil and Encaustic on Panel with Cooper
15" x 15"
$2,000

Untitled Feathers #1

Untitled Feathers #1

Oil and Encaustic on Panel with Mixed Media
9.75" x 9.75"
$800

Untitled Feathers #2

Untitled Feathers #2

Oil and Encaustic on Panel with Mixed Media
9.75" x 9.75"
$800

Untitled Wall Piece #1

Untitled Wall Piece #1

Double Sided
Oil and Encaustic on Panel
13" x 12" x 2"
$2,500

Untitled Wall Piece #2

Untitled Wall Piece #2

Double Sided
Oil and Encaustic on Panel
13" x 12" x 2"
$2,500

Untitled Small Table Piece #1

Untitled Small Table Piece #1

Double Sided - Standing Piece
Oil and Encaustic on Panel
15" x 12" x 12.5" x 2"
$3,000

Untitled Small Table Piece #2

Untitled Small Table Piece #2

Double Sided - Standing Piece
Oil and Encaustic on Panel
15" x 12" x 12.5" x 2"
$3,000

Untitled Large Table Piece #1

Untitled Large Table Piece #1

Double Sided - Standing Piece
Oil and Encaustic on Panel
20" x 23" x 2"
$4,500

 Untitled Large Table Piece #2

Untitled Large Table Piece #2

Double Sided - Standing Piece
Oil and Encaustic on Panel
20" x 23" x 2"
$4,500

Untitled Standing Piece

Untitled Standing Piece

Double Sided
Oil and Encaustic on Panel
19.5" x 22" x 2"
$4,500

Untitled Color Field #1

Untitled Color Field #1

Oil and Encaustic on Panel
53" x 48"
$15,000

Untitled Color Field #2

Untitled Color Field #2

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #3

Untitled Color Field #3

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #4

Untitled Color Field #4

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #5

Untitled Color Field #5

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #6

Untitled Color Field #6

Oil and Encaustic on Panel
72" x 72"
$20,000

 

Gallatin-20150722-02136

“For me, painting is about paint: color, texture, the joy of putting it on or scraping it off; I believe the results are best served by keen and repeated viewing. My painting is about surface primarily. Surface is feeling – it can be ambivalent. It gives the illusion of depth and reflection, of time and memory and complexity.

I prefer imagined sites rather than actual landscapes. I incorporate crossroads, paths taken or not taken, suggestions and intimations of the past and the future. Windows, portals, exits and entrances are subjects that inspire me. Materials that age, rust, decay and change are for me the elements of birth and survival. I have been greatly inspired by visits to both the Southwest and to South Africa, by the mysterious and changing landscapes, and the symbolism that permeates so much of their histories. I try to introduce elements that are hidden or apparent, that will encourage “reading” my paintings many times and constantly discovering something new. I find myself using different materials such as copper, lead or nails, materials from the earth (as is paint), which may also continually change over time, I especially like encaustic (beeswax), which in many ways is just the opposite of these other materials in terms of its durability and permanence, and its wonderful ability to be opaque or transparent.

Above all, I love the PROCESS of making a painting – revealing parts of myself that might be a mystery even to me. I love the smells, textures, endless decisions and accidents that come from the paint, the wax, the wood, the nails, and the copper and lead, that seem to be consistent with my purpose, my aesthetic. The making of art is a sensual endeavor, and the better if it speaks to the viewer – to me that is the greatest barometer of success.

Some of my “parents” are Richard Diebenkorn, Nathan Oliveira, Manuel Neri, Anthony Gormley, Elaine Anthony and Judith Streeter.”

transFORM Gallery’s Summer Exhibiting Artist Featured in New York Magazine


We are excited to share a fabulous demonstration of the appeal in Alexander Rutsch’s work. Rutsch was chosen by interior designer, Patrick Mele to furnish his Upper East Side apartment.

article

Rutsch’s large mixed media paintings “Nude” and “Leda and the Swan” are featured by design editor Wendy Goodman in the May issue of New York Magazine.

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The combination of vibrant colors, strong contours and rich brush strokes seamlessly complement this design.  Congratulations to the Rutsch family!

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Igor Kashinsky


 

Conductor

Conductor

Giclee Print
15” x 20”

Pianist

Pianist

Giclee Print
15” x 20”

Violin Player

Violin Player

Giclee Print
15” x 20”

 

Pic.Igor.Kashinsky

The vibrant oils of Russian artist Igor Kashinsky are inspired by “the psychology of the music world.”

Igor explains it best, “the canvas is my writing paper and I am exploring unique ways to write my story. I seek to be true to my inner feelings. My inner world has changed since I begin to meditate. My conciseness moved to a new level of understanding of who we are, what is this physical reality we live in and I expressed these ideas on canvas. Everything in the physical universe is energy, which vibrates at different frequencies. We humans are a part of this Universal energy. Every human Being is unique and can be translated into energy form on different levels.

As a young boy I looked at everything as if it was already on the canvas. When I read fairy tales, I could clearly imagine in my head how each scene would appear as a drawing or a painting. As I grew, new ideas evolved and translated into my art. Studies at St. Petersburg’s Art Lyceum in the former USSR helped to express ideas in more professional way and fully enjoy my artistic freedom.  The process of self-discovery was enriched by new experiences after immigrating to the Seattle area.   The Jewish themes appeared in the paintings; something that I was not inclined to do in the former USSR.”