Tag: light


PHOTOS: Coffee, Chocolate & Art at WNWN 2016


On Thursday, September 22nd transFORM and their Media Sponsor, Aspire NY Metro, participated in the New York Design Center’s 8th Annual “What’s New, What’s Next” event at 200 Lexington Ave.

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The celebration included over 80 participating showrooms featuring product introductions, informative lectures, book signings and soirees. The building wide event drew in over 7,000 people, giving them the opportunity to view new ideas, designs, materials and products. This year also marked the New York Design Centers 90th Anniversary. From Thom Filicia and Jamie Drake to Wendy Goodman and Amy Astley, the building was filled with the industry’s top designers and editors – there was even a special visit from Hillary and Donald!

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With so many exciting activities, guests were fiending for an energy boost. transFORM happily welcomed visitors into their showroom for a refreshing afternoon of chocolate, coffee and art.

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Sarah Endline and her company Sweet Riot, makes all natural healthy chocolate treats and snacks in a socially responsible way. Among the assortment was Sweet Riot’s Kickin’ Coconut  & Crunchy Quirky Quinoa dark chocolate bars as well as lightly roasted Cacao nibs. transFORM supplied Grounds For Change coffee, a Washington State coffee roaster specializing in 100% Fair Trade. This delicious and sustainable combination allowed guests to refuel and recharge as they continued on through the New York Design Center’s building wide events.

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In the early evening, transFORM Gallery hosted an informal artist talk with International Photographer Jean-Luc Mege. The discussion was centered around his high-end, premium composite acrylic glass photographs, which were on display throughout the gallery. Jean-Luc Mege covers, illustrates and immortalizes scenes from around the world. He has a rare ability to tell a story through his photographs. The force of the narrative comes from a unique path: Jean-Luc’s eye is imbued with great empathy, an unprecedented tenderness and an innate sense of composition.

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Artists Rachelle Krieger, Catherine Latson and KellyAnn Monaghan also had the opportunity to speak about their exhibiting work.

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Rachelle’s paintings are part of numerous private and corporate collections and can been seen in public spaces throughout the United States including at the Westin Hotel in New Orleans, the Ritz Carlton in DC, the Marriott Marquis in DC, and the Texas State Bank in Dallas. Rachelle’s work reflects the nature preserves, seascapes and woods near her home in Port Washington, NY. More recently she has taken and exciting directional turn into bold and dynamic abstractions of nature and nature’s forces.

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Catherine Latson’s “Garment Series” offers an unconventional take on the art and engineering of self-decoration. Using exclusively organic and repurposed materials, the language of clothing is explored. Garment forms are reimagined in tapioca root, magnolia leaves, moss, birch, sea urchin shells, amaranths, hydrangea petals, peacock quills, and more. While the forms are recognizably human, they are fragmented, weathered, and curious.

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KellyAnn Monaghan uses landscapes and urban landscapes as a journey and stage for the drama of light, air and movement. She attempts to see past the structured architecture into the otherworldly qualities of the landscape. There is emptiness and solitude in the spaces she paints; yet they have a quality of human presence through the atmosphere and illumination.

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While enjoying coffee and sweet treats, the attentive audience asked interesting questions and added to the commentary.

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transFORM Gallery was especially excited over the sale of Jean-Luc’s first class print, “Grand Central Terminal”.

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Unlike the traditional art gallery format, where art is presented on blank white walls, our artwork is hung in home-like settings, making it easier for the client to visualize it in their own environments. – a quality that’s highly regarded in the design industry. Interior design and decorating have a need for the energy, mood and life that is brought into a space by original artwork.

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Throughout the day transFORM Gallery provided industry partners, tastemakers and more an opportunity to discover a variety of mediums from painting and sculpture to mixed media and photography.

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Our NYC designers were also available throughout the event to provide interested guests with one-on-one tours of the showroom.

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In honor of “What’s New, What’s Next”, transFORM introduced their Multifunctional Men’s Apartment, which included a horizontal wall bed, custom wardrobe & dual-purpose desk.

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Featured in Desert Oak and Dusk Frake from Shinnoki and finished with Red Port High Gloss and Black Leather accents, transFORM’s newest installation features an array of custom cabinetry for added storage.

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After a brief introduction from Andreas Mesis (Co Owner) and Donovan Malloy (Marketing Director), transFORM’s Design Research & Product Development Director Daniel Steps, began his presentation on smart living in small urban spaces. “Tackling the Trend – Living Large in Tiny Homes and Micro-Apartments” explained how new advanced hardware and materials can create exciting designs that maximize space and function in compact apartments.

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transFORM enjoyed being introduced to and getting to know new members of our design community.

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Thank you to all that came to the event – we look forward to seeing you there again next year!

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Q&A With DiMauro Dance


Earlier this week, we got the chance to speak with Jessica DiMauro -Artistic Director/Choreographer of DiMauro Dance. Through a quick Q&A, Jessica gave us some insight on the history and inspiration behind DiMauro Dance.

We’re so excited to welcome the team to our Manhattan showroom on February 4th from 5-8pm at 200 LEX. 

They will be preforming a modern dance routine at the Opening Reception of ‘the Fanciful World’. This event will coincide with transFORM’s Second Annual 7th Heaven Design Party, sponsored by the Interior Design Society, New York Chapter. All of the showrooms on the Seventh Floor of the New York Design Center will be open and full of surprises to make your evening magical. Each showroom will be presenting their own innovative designs, unique displays, crafted cocktails and heavenly culinary indulgences.

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(Photography by Yi-Chun Wu)

DiMauro Dance is a five-member company characterized by the use of emotional intent, athleticism, grounded physicality and urban influenced movement. The company is based in Manhattan, with roots in Westchester County. Jessica’s choreography has been seen at venues throughout the Tri-state area.

Q: What is your main inspiration for dance?

A: As a choreographer deeply invested in the artistic exploration of the human experience, I am intrigued by the challenge of developing literal gesture into abstract movement while keeping the emotional integrity. In my work, the body is used as a vessel to express the rich layers of human emotion. I am constantly fascinated by the body’s ability to express subtlety and grace, and conversely show aggression and struggle. My choreography tells a story or sheds light on a particular subject, while giving the performer the opportunity to viscerally experience the emotional intention through movement. I compose movement that is structurally athletic and emotionally driven by raw human emotion. Through performances that utilize community participation as a foundation, I have made it a goal to bring the public into the world of concert dance; specifically the infrequent dance spectator who is intimidated, frustrated or confused by the opacity of modern dance. As an artist, I want to create work that entertains with depth. Personal stories and emotional journeys are revealed through movement that is accessible and experienced by the people who watch it.

Q: What made you want to create your own dance company?

A: In 2006, I created DiMauro Dance in response to the lack of opportunity for modern dancers. My peers and I were craving performance experience and I became proactive in searching out opportunity for us as a group. Since then, many of my dancers have changed, but the goal remains the same; creating a place for us and our art to be seen and experienced.

Q: Where are the different venues that you have performed at?

A: We have performed our work at traditional venues, including Manhattan Movement & Arts Center, The Flea Theater, Purchase College, and The Crystal Theater. We have also engaged in cite-specific work at non-traditional venues such as a community garden in Manhattan and a floating barge on the Hudson River.

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(The Annual Benefit for the Steffi Nossen School of Dance and The Dance in Education Fund, Purchase College – Photography by Bill Bramswig)

Q: Can you clarify your connection with the Steffi Nossen School of Dance in White Plains?

A: We do not operate as a school, but rather a fiscally sponsored dance company made up of freelance artists. However, we are very much connected to Steffi Nossen School of Dance in White Plains, NY. Aside from being Artistic Director of DiMauro Dance, I am also Artistic Director of Steffi Nossen and many of my dancers have taught there. We have done company residencies and many performances through the dance school, as well as have an ongoing Space Grant from their dance foundation.

Q: What style of dance do you prefer?

A: We work primarily in modern dance but continue to be inspired by a number of dance genres.

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(Photography by Yi-Chun Wu)

Q: What challenges do you think you’ll encounter when preforming at our space?

A: We rarely have so much space to move in! The challenge will be utilizing the space in the hallway portion of our performance, and then majorly downsizing when performing in the gallery.

Q: What are you most excited about when performing at our space?

A: We love bringing modern dance into non-traditional settings! I am also thrilled that we will be including live music in this performance!

For more information about this event please visit here. 

Jessica DiMauro Short Reel 2014 from Jessica DiMauro on Vimeo.

 

Paula Barragan


Futuro Pluscuamperfecto

Futuro Pluscuamperfecto

Adobe Illustrator Collage, Archival Print
43" x 79"
$3,200

Mosca Mashpi

Mosca Mashpi

Adobe Illustrator Collage, Archival Print
44" x 38"
$2,100

Desde el Canopi

Desde el Canopi

Adobe Illustrator Collage, Archival Print
43" x 51"
$3,000

Jungla de Papel II

Jungla de Papel II

Adobe Illustrator Collage, Archival Print
43" x 51" (Artist Proof)
44" x 51" (Normal Size)
$3,000

Labios de Manray

Labios de Manray

Adobe Illustrator Collage, Archival Print
22" x 78"
$1,600

Geografía Marina

Geografía Marina

Adobe Illustrator Collage, Archival Print
Edition: 2/60
28" x 22"
$750

Papayanet

Papayanet

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

Naranjito

Naranjito

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

Castañuela

Castañuela

Adobe Illustrator Collage, Archival Print
22" x 22"
$580

OLYMPUS DIGITAL CAMERA

“My first studies were in design and illustration and this has influenced all my further work. Together with my artistic vision I have developed a creative process expressed in all my projects, my etchings, drawings, and paintings. I proceed in distinct ways according to the work I wish to present. When I begin a graphic design project I must communicate a certain message. On the contrary, when I start an etching, a drawing or painting I prefer to let my intuition work.

I find it difficult to explain the way I work some of my art projects but perhaps the strongest reason is the profound pleasure I experience during the process of discovering things. Even though sometimes this brings tension and stress.

I love creating with my hands and I put the same energy into all types of art with out making distinction between crafts and design, drawing, or printing. Above all I find deep satisfaction in good, new discoveries and working hard at all aspects of my work.

I work on very different themes. These give me space to tell various situations and stories of life. I have the possibility to express emotions; shyness, delight, misfortune; through forms and lines, color and light. I draw my ideas and the lives of people, animals and actions taking place in different spaces inside paintings, prints or drawings. I enjoy profoundly the process of doing my work.”

Michael Thornton-Smith


 

Blue Dandelion (2015)

Blue Dandelion (2015)

Acrylic on Canvas
36" x 36"
$3,200

Dandelion - Towards the Celestial (2016)

Dandelion - Towards the Celestial (2016)

Acrylic on Canvas
36" x 36"
$3,200

Dandelion - Small Orbit (2015)

Dandelion - Small Orbit (2015)

Acrylic on Canvas
24" x 24"
$2,200

Dandelion - Orbit (2015)

Dandelion - Orbit (2015)

Acrylic on Graphite on Canvas
50" x 50"
$7,200

Dandelion VI (2015)

Dandelion VI (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

White Orchid (2015)

White Orchid (2015)

Acrylic on Graphite on Paper
26" x 26"
$2,600
Framed

Purple Orchid (2015)

Purple Orchid (2015)

Acrylic on Graphite on Paper
26" x 26"
$2,600
Framed

Orchid III (2015)

Orchid III (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Orchid IV (2015)

Orchid IV (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Dahlia I (2015)

Dahlia I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Globe Thistle I (2015)

Globe Thistle I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Globe Thistle III (2015)

Globe Thistle III (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Peony I (2015)

Peony I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Peony II (2015)

Peony II (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Lobelia II (2015)

Lobelia II (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Lobelia IV (2015)

Lobelia IV (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

MTS-Headshot“I was raised in Cornwall, and grew up in the English countryside. My earliest sketches were studies of his surroundings, locations that I felt moved to record. I have been influenced by the tradition of British landscape painting, particularly in my early works.”

Michael Thornton-Smith, began with an exploration into the dynamic forms and saturated colors of selected flowers. “As I became more comfortable working with a subject matter I had shied away from previously; I began to play with enormity, scale and abstraction of the subject attempting to achieve a luminosity inherent in particular varieties of flowers. The dandelion flower gone to seed became a jumping off point to create cosmic mandalas of light. At first they were monochromatic paintings concentrating on the essence of form but eventually led to working with ethereal and tertiary colors. This is an ongoing project.

My paintings express a response to my perception of nature, to the transient acts of weather and the tenuous beauty of spontaneous cloud formations, captured in a fleeting moment. Traveling has been a source of inspiration for my work, taking me throughout the British Isles and Europe, and later through North Africa and East Africa. There is a body of my work that celebrates these experiences.

Sometimes I work from numerous studies, not always from the same location, but all with a view to a larger work. I love the skies, the source of light and the constantly changing barometric configurations. The expansive, magical thunderstorms over the savannah, the atmospheric conditions and their effect on the terrain; and more recently, the alluvial landscapes of the Hudson River Valley and the Long Island Sound.”

 

Kellyann Monaghan


Greenpoint Warehouse and Empire State Building

Greenpoint Warehouse and Empire State Building

Oil on Panel
13" x 25"
Framed
SOLD

Billboards, Streetlight and Court Square Building

Billboards, Streetlight and Court Square Building

Oil on Panel
15" x 19"
Framed

Greenpoint, Trade Tower and Sunset

Greenpoint, Trade Tower and Sunset

Oil on Panel
17" x 13"
Framed

Milton Street Water Tower

Milton Street Water Tower

Oil on Panel
17" x 13"
Framed

Water Tower and Skywriting

Water Tower and Skywriting

Oil on Panel
13" x 17"
Framed

Williamsburg Bridge, East River, Nocturne

Williamsburg Bridge, East River, Nocturne

Oil on Panel
15" x 12"
Framed

Newton Creek, Court Square and Billboard

Newton Creek, Court Square and Billboard

Oil on Panel
15" x 19"
Framed

Crane and Factory

Crane and Factory

Oil on Panel
13" x 13"
Framed
SOLD

Orange Sky and Satellite

Orange Sky and Satellite

Oil on Panel
13" x 13"
Framed

Rooftop and Golden Arches

Rooftop and Golden Arches

Oil on Canvas
30” x 38”
Unframed

Water Tower at Matchless, Greenpoint

Water Tower at Matchless, Greenpoint

Oil on Panel
9” x 11”
Framed

Street Light, Water Tower

Street Light, Water Tower

Oil on Panel
13" x 13"
Framed
SOLD

In Between, DUMBO Rooftop, Brooklyn Bridge

In Between, DUMBO Rooftop, Brooklyn Bridge

Oil on Canvas
32” x 36”
Unframed

Flushing Project Windows

Flushing Project Windows

Oil on Canvas
28” x 46”
Unframed

Hess, Water Tower, Church and Trade Tower Construction

Hess, Water Tower, Church and Trade Tower Construction

Oil on Canvas
32” x 42”
Unframed

George Washington Bridge at Hudson I

George Washington Bridge at Hudson I

Oil on Panel
12.25” x 25”
Framed

 

KellyannM-Headshot

“I use landscapes and urban landscapes as a journey and stage for the drama of light, air and movement. I attempt to see past the structured architecture into the otherworldly qualities of the landscape. I am intrigued by the way light plays on architecture, energizing and describing form. There is a mystery in the dynamics of light and atmosphere in contrast to the architectural structures.

There is emptiness and solitude in the spaces I paint; yet they have a quality of human presence through the atmosphere and illumination. In the recent years, I have been obsessed with the rooftops of cluttered Brooklyn and New York City spaces, where the architecture is piled and pushing upon each other. Currently the repeating forms of the satellite dishes and antennae that dominate many apartment rooftops are central to the visual rhythm in my paintings. Construction cranes and scaffolding also play a role in creating the rhythmic urban spaces. I have exaggerated and edited qualities from city life into dramatic compositions. The sky and the spaces between buildings are as significant as the buildings themselves. I am fascinated by the city’s night sky, which reflects the ever-present human interjection of light pollution.

During a recent stay in Southern France, Toulouse region I had access to the beautiful landscape, old and decaying buildings and by contrast, the modernized forms and structures of contemporary life. I painted primarily on site and in the open air. The small medieval villages and ancient farms inspired many paintings. In these works I depicted lush landscapes, claustrophobic village streets and dilapidated farms. There is a quirky relationship between the village tiled rooftops and the gritty ones of my Brooklyn spaces. Even in this beautiful and historic place there are television satellite dishes sprouting about.

My aim is to maintain an element of spontaneity and directness in the paint. A fluid and spontaneous quality in the every paint stroke is very important to me. I primarily work all prima and often plein air. I edit, emphasize and exaggerate structural forms from life observation. The process allows for idiosyncratic and unexpected painterly qualities to occur.”

 

Tracy Helgeson


Bound By Shadows

Bound By Shadows

Oil on Wood Panel
24” x 30” x 2”

Divided

Divided

Oil on Wood Panel
9” x 18” x 1”

Surrounding Hills

Surrounding Hills

Oil on Wood Panel
18” x 18” x 1”
SOLD

Sweet Corn at Sundown

Sweet Corn at Sundown

Oil on Wood Panel
16” x 18” x 1”

The Big Pink (Barn)

The Big Pink (Barn)

Oil on Wood Panel
30” x 40” x 2”

Dark Barn with Sheep

Dark Barn with Sheep

Oil on Wood Panel
18” x 14” x 1”
$1,200

Sheep Study #838

Sheep Study #838

Oil on Wood Panel
5” x 7” x 1”
SOLD

Sheep Study #839

Sheep Study #839

Oil on Wood Panel
6” x 6” x 1”

Sheep Study #840

Sheep Study #840

Oil on Wood Panel
6” x 6” x 1”
SOLD

Barn Study #827

Barn Study #827

Oil on Wood Panel
6” x 6” x 1”

Red Dress

Red Dress

Oil on Wood Panel
48" x 36" x 2"

 

Tracy-headshot

Artist Tracy Helgeson paints the classic subject of America’s rural culture and agricultural community, capturing an era once forgotten, yet preserved at the same time. There is a modern, otherworldly take on her subjects and locations.

Tracy explains it best, “In creating a painting, my intent is to capture an evocative feeling and an essence of a landscape, structure or person that I feel a connection to. The images that I choose usually have a basis in reality, but I often alter composition, color and light to more accurately express my feelings about how and what I see.

I truly appreciate the process of painting; the texture of the surfaces that I prepare, the richness of the colors and glazes that I choose, the softness of a brush, the smell of the paint, medium and solvent and the excitement of creating an image.”