Tag: locations


Michael Thornton-Smith


 

Blue Dandelion (2015)

Blue Dandelion (2015)

Acrylic on Canvas
36" x 36"
$3,200

Dandelion - Towards the Celestial (2016)

Dandelion - Towards the Celestial (2016)

Acrylic on Canvas
36" x 36"
$3,200

Dandelion - Small Orbit (2015)

Dandelion - Small Orbit (2015)

Acrylic on Canvas
24" x 24"
$2,200

Dandelion - Orbit (2015)

Dandelion - Orbit (2015)

Acrylic on Graphite on Canvas
50" x 50"
$7,200

Dandelion VI (2015)

Dandelion VI (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

White Orchid (2015)

White Orchid (2015)

Acrylic on Graphite on Paper
26" x 26"
$2,600
Framed

Purple Orchid (2015)

Purple Orchid (2015)

Acrylic on Graphite on Paper
26" x 26"
$2,600
Framed

Orchid III (2015)

Orchid III (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Orchid IV (2015)

Orchid IV (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Dahlia I (2015)

Dahlia I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Globe Thistle I (2015)

Globe Thistle I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Globe Thistle III (2015)

Globe Thistle III (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Peony I (2015)

Peony I (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Peony II (2015)

Peony II (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Lobelia II (2015)

Lobelia II (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

Lobelia IV (2015)

Lobelia IV (2015)

Acrylic on Graphite on Paper
26" x 26"
$1,800

MTS-Headshot“I was raised in Cornwall, and grew up in the English countryside. My earliest sketches were studies of his surroundings, locations that I felt moved to record. I have been influenced by the tradition of British landscape painting, particularly in my early works.”

Michael Thornton-Smith, began with an exploration into the dynamic forms and saturated colors of selected flowers. “As I became more comfortable working with a subject matter I had shied away from previously; I began to play with enormity, scale and abstraction of the subject attempting to achieve a luminosity inherent in particular varieties of flowers. The dandelion flower gone to seed became a jumping off point to create cosmic mandalas of light. At first they were monochromatic paintings concentrating on the essence of form but eventually led to working with ethereal and tertiary colors. This is an ongoing project.

My paintings express a response to my perception of nature, to the transient acts of weather and the tenuous beauty of spontaneous cloud formations, captured in a fleeting moment. Traveling has been a source of inspiration for my work, taking me throughout the British Isles and Europe, and later through North Africa and East Africa. There is a body of my work that celebrates these experiences.

Sometimes I work from numerous studies, not always from the same location, but all with a view to a larger work. I love the skies, the source of light and the constantly changing barometric configurations. The expansive, magical thunderstorms over the savannah, the atmospheric conditions and their effect on the terrain; and more recently, the alluvial landscapes of the Hudson River Valley and the Long Island Sound.”

 

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Daniel O’Sullivan


Connemara

Connemara

High Quality Framed & Signed Digital Print
16" x 20"
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Oil on Canvas Original
24" x 36"

County Mayo

County Mayo

High Quality Framed & Signed Digital Print
20" x 16"
------
Oil on Canvas Original
22" x 28"

Irelands Eye

Irelands Eye

Oil on Canvas Original
12" x 16"

 A Quiet Friend

A Quiet Friend

High Quality Framed & Signed Digital Print
20" x 16"

The Lads

The Lads

High Quality Framed & Signed Digital Print
16" x 20"

The Spaniard

The Spaniard

High Quality Framed & Signed Digital Print
20" x 16"

Road to Kinsale

Road to Kinsale

High Quality Framed & Signed Digital Print
16" x 20"

Old School

Old School

High Quality Framed & Signed Digital Print
20" x 16"

Forever

Forever

High Quality Framed & Signed Digital Print
20" x 16"

A Handsome Boatman

A Handsome Boatman

High Quality Framed & Signed Digital Print
20" x 16"

A Quite Pint

A Quite Pint

High Quality Framed & Signed Digital Print
20" x 16"

 

DanielOsullivan-headshot

Born in Ireland, Daniel O’Sullivan is an entrepreneur and artist now living in the United States. Dan’s experiences growing up in the Emerald Isle provided hazy memories for a dreamlike accounting of how this beautiful land looked not so long ago.

“Indeed, some parts of Ireland still retain this mystical, mythical character to this day. The Celtic tiger did not diminish the natural beauty of the entire country, thank God.”

There are a total of 14 paintings in the series and each one represents an actual experience of the artist’s travels through Ireland as a child and as a young adult. Each painting is meticulously hand painted on stretched canvas using the highest quality oil based paint available.

Each painting also tells it’s own story and, when viewed together, all of the paintings combined paint a bigger picture of this small yet wonderful land.  It is the hope of the artist that the paintings bring to mind a sense that one’s life need not be complicated in order to be a life well lived.

 

Tracy Helgeson


Bound By Shadows

Bound By Shadows

Oil on Wood Panel
24” x 30” x 2”

Divided

Divided

Oil on Wood Panel
9” x 18” x 1”

Surrounding Hills

Surrounding Hills

Oil on Wood Panel
18” x 18” x 1”
SOLD

Sweet Corn at Sundown

Sweet Corn at Sundown

Oil on Wood Panel
16” x 18” x 1”

The Big Pink (Barn)

The Big Pink (Barn)

Oil on Wood Panel
30” x 40” x 2”

Dark Barn with Sheep

Dark Barn with Sheep

Oil on Wood Panel
18” x 14” x 1”
$1,200

Sheep Study #838

Sheep Study #838

Oil on Wood Panel
5” x 7” x 1”
SOLD

Sheep Study #839

Sheep Study #839

Oil on Wood Panel
6” x 6” x 1”

Sheep Study #840

Sheep Study #840

Oil on Wood Panel
6” x 6” x 1”
SOLD

Barn Study #827

Barn Study #827

Oil on Wood Panel
6” x 6” x 1”

Red Dress

Red Dress

Oil on Wood Panel
48" x 36" x 2"

 

Tracy-headshot

Artist Tracy Helgeson paints the classic subject of America’s rural culture and agricultural community, capturing an era once forgotten, yet preserved at the same time. There is a modern, otherworldly take on her subjects and locations.

Tracy explains it best, “In creating a painting, my intent is to capture an evocative feeling and an essence of a landscape, structure or person that I feel a connection to. The images that I choose usually have a basis in reality, but I often alter composition, color and light to more accurately express my feelings about how and what I see.

I truly appreciate the process of painting; the texture of the surfaces that I prepare, the richness of the colors and glazes that I choose, the softness of a brush, the smell of the paint, medium and solvent and the excitement of creating an image.”