Tag: paint


John Greene


Fencepost A-F

Fencepost A-F

Oil and Encaustic on Fencepost
3.5" on each side
SOLD

Fencepost G-L

Fencepost G-L

Oil and Encaustic on Fencepost
3.5" on each side
$500 per cube

Untitled Silver #1

Untitled Silver #1

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #2

Untitled Silver #2

Oil and Encaustic on Panel
30" x 30"
$4,000

Untitled Silver #3

Untitled Silver #3

Oil and Encaustic on Panel
30" x 30"
$4,000

Untitled Silver #4

Untitled Silver #4

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #5

Untitled Silver #5

Oil and Encaustic on Panel
12" x 12"
$1,500

Untitled Silver #6

Untitled Silver #6

Oil and Encaustic on Panel
24" x 24"
$3,000

Untitled White with Colored Paint Chips

Untitled White with Colored Paint Chips

Oil and Encaustic on Panel with Cooper & Mixed Media
12" x 12"
$1,500

 Untitled Nail #1

Untitled Nail #1

Oil and Encaustic on Panel with Mixed Media
19.5" x 43"
$9,000

 Untitled Nail #2

Untitled Nail #2

Oil and Encaustic on Panel with Copper & Mixed Media
24" x 24"
$5,000

 Untitled Nail #3

Untitled Nail #3

Oil and Encaustic on Panel with Lead & Mixed Media
24" x 24"
$5,000

 Untitled Nail #4

Untitled Nail #4

Double Sided - Standing Piece
Oil and Encaustic on Panel with Mixed Media
12" x 8" x 1.5"
$2,500

Untitled Figurative #1

Untitled Figurative #1

Oil and Encaustic on Panel
30" x 24"
$6,000

 Untitled Landscape #1

Untitled Landscape #1

Oil and Encaustic on Panel with Copper
48" x 48"
$17,000

Untitled Landscape #2

Untitled Landscape #2

Oil and Encaustic on Panel with Cooper
15" x 15"
$2,000

Untitled Feathers #1

Untitled Feathers #1

Oil and Encaustic on Panel with Mixed Media
9.75" x 9.75"
$800

Untitled Feathers #2

Untitled Feathers #2

Oil and Encaustic on Panel with Mixed Media
9.75" x 9.75"
$800

Untitled Wall Piece #1

Untitled Wall Piece #1

Double Sided
Oil and Encaustic on Panel
13" x 12" x 2"
$2,500

Untitled Wall Piece #2

Untitled Wall Piece #2

Double Sided
Oil and Encaustic on Panel
13" x 12" x 2"
$2,500

Untitled Small Table Piece #1

Untitled Small Table Piece #1

Double Sided - Standing Piece
Oil and Encaustic on Panel
15" x 12" x 12.5" x 2"
$3,000

Untitled Small Table Piece #2

Untitled Small Table Piece #2

Double Sided - Standing Piece
Oil and Encaustic on Panel
15" x 12" x 12.5" x 2"
$3,000

Untitled Large Table Piece #1

Untitled Large Table Piece #1

Double Sided - Standing Piece
Oil and Encaustic on Panel
20" x 23" x 2"
$4,500

 Untitled Large Table Piece #2

Untitled Large Table Piece #2

Double Sided - Standing Piece
Oil and Encaustic on Panel
20" x 23" x 2"
$4,500

Untitled Standing Piece

Untitled Standing Piece

Double Sided
Oil and Encaustic on Panel
19.5" x 22" x 2"
$4,500

Untitled Color Field #1

Untitled Color Field #1

Oil and Encaustic on Panel
53" x 48"
$15,000

Untitled Color Field #2

Untitled Color Field #2

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #3

Untitled Color Field #3

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #4

Untitled Color Field #4

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #5

Untitled Color Field #5

Oil and Encaustic on Panel
60" x 48"
$16,000

Untitled Color Field #6

Untitled Color Field #6

Oil and Encaustic on Panel
72" x 72"
$20,000

 

Gallatin-20150722-02136

“For me, painting is about paint: color, texture, the joy of putting it on or scraping it off; I believe the results are best served by keen and repeated viewing. My painting is about surface primarily. Surface is feeling – it can be ambivalent. It gives the illusion of depth and reflection, of time and memory and complexity.

I prefer imagined sites rather than actual landscapes. I incorporate crossroads, paths taken or not taken, suggestions and intimations of the past and the future. Windows, portals, exits and entrances are subjects that inspire me. Materials that age, rust, decay and change are for me the elements of birth and survival. I have been greatly inspired by visits to both the Southwest and to South Africa, by the mysterious and changing landscapes, and the symbolism that permeates so much of their histories. I try to introduce elements that are hidden or apparent, that will encourage “reading” my paintings many times and constantly discovering something new. I find myself using different materials such as copper, lead or nails, materials from the earth (as is paint), which may also continually change over time, I especially like encaustic (beeswax), which in many ways is just the opposite of these other materials in terms of its durability and permanence, and its wonderful ability to be opaque or transparent.

Above all, I love the PROCESS of making a painting – revealing parts of myself that might be a mystery even to me. I love the smells, textures, endless decisions and accidents that come from the paint, the wax, the wood, the nails, and the copper and lead, that seem to be consistent with my purpose, my aesthetic. The making of art is a sensual endeavor, and the better if it speaks to the viewer – to me that is the greatest barometer of success.

Some of my “parents” are Richard Diebenkorn, Nathan Oliveira, Manuel Neri, Anthony Gormley, Elaine Anthony and Judith Streeter.”

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Kellyann Monaghan


Greenpoint Warehouse and Empire State Building

Greenpoint Warehouse and Empire State Building

Oil on Panel
13" x 25"
Framed
SOLD

Billboards, Streetlight and Court Square Building

Billboards, Streetlight and Court Square Building

Oil on Panel
15" x 19"
Framed

Greenpoint, Trade Tower and Sunset

Greenpoint, Trade Tower and Sunset

Oil on Panel
17" x 13"
Framed

Milton Street Water Tower

Milton Street Water Tower

Oil on Panel
17" x 13"
Framed

Water Tower and Skywriting

Water Tower and Skywriting

Oil on Panel
13" x 17"
Framed

Williamsburg Bridge, East River, Nocturne

Williamsburg Bridge, East River, Nocturne

Oil on Panel
15" x 12"
Framed

Newton Creek, Court Square and Billboard

Newton Creek, Court Square and Billboard

Oil on Panel
15" x 19"
Framed

Crane and Factory

Crane and Factory

Oil on Panel
13" x 13"
Framed
SOLD

Orange Sky and Satellite

Orange Sky and Satellite

Oil on Panel
13" x 13"
Framed

Rooftop and Golden Arches

Rooftop and Golden Arches

Oil on Canvas
30” x 38”
Unframed

Water Tower at Matchless, Greenpoint

Water Tower at Matchless, Greenpoint

Oil on Panel
9” x 11”
Framed

Street Light, Water Tower

Street Light, Water Tower

Oil on Panel
13" x 13"
Framed
SOLD

In Between, DUMBO Rooftop, Brooklyn Bridge

In Between, DUMBO Rooftop, Brooklyn Bridge

Oil on Canvas
32” x 36”
Unframed

Flushing Project Windows

Flushing Project Windows

Oil on Canvas
28” x 46”
Unframed

Hess, Water Tower, Church and Trade Tower Construction

Hess, Water Tower, Church and Trade Tower Construction

Oil on Canvas
32” x 42”
Unframed

George Washington Bridge at Hudson I

George Washington Bridge at Hudson I

Oil on Panel
12.25” x 25”
Framed

 

KellyannM-Headshot

“I use landscapes and urban landscapes as a journey and stage for the drama of light, air and movement. I attempt to see past the structured architecture into the otherworldly qualities of the landscape. I am intrigued by the way light plays on architecture, energizing and describing form. There is a mystery in the dynamics of light and atmosphere in contrast to the architectural structures.

There is emptiness and solitude in the spaces I paint; yet they have a quality of human presence through the atmosphere and illumination. In the recent years, I have been obsessed with the rooftops of cluttered Brooklyn and New York City spaces, where the architecture is piled and pushing upon each other. Currently the repeating forms of the satellite dishes and antennae that dominate many apartment rooftops are central to the visual rhythm in my paintings. Construction cranes and scaffolding also play a role in creating the rhythmic urban spaces. I have exaggerated and edited qualities from city life into dramatic compositions. The sky and the spaces between buildings are as significant as the buildings themselves. I am fascinated by the city’s night sky, which reflects the ever-present human interjection of light pollution.

During a recent stay in Southern France, Toulouse region I had access to the beautiful landscape, old and decaying buildings and by contrast, the modernized forms and structures of contemporary life. I painted primarily on site and in the open air. The small medieval villages and ancient farms inspired many paintings. In these works I depicted lush landscapes, claustrophobic village streets and dilapidated farms. There is a quirky relationship between the village tiled rooftops and the gritty ones of my Brooklyn spaces. Even in this beautiful and historic place there are television satellite dishes sprouting about.

My aim is to maintain an element of spontaneity and directness in the paint. A fluid and spontaneous quality in the every paint stroke is very important to me. I primarily work all prima and often plein air. I edit, emphasize and exaggerate structural forms from life observation. The process allows for idiosyncratic and unexpected painterly qualities to occur.”

 

Pasquale Miele


The Cat II

The Cat II

Crayon & Paint on Wooden Sculpture
6” H x 15” W
$275

The Cat

The Cat

Crayon & Paint on Wooden Sculpture
9.8” H x 9” W
$275

The Bunny

The Bunny

Crayon & Paint on Wooden Sculpture
16” H x 12.5” W
$275

The Dude

The Dude

Crayon & Paint on Wooden Sculpture
16” H x 12.5” W
$275

The Donkey Man

The Donkey Man

Crayon & Paint on Wooden Sculpture
21” H x 9.5” W
$275

Robby

Robby

Paint on Wooden Sculpture
19” H x 15” W (Base) x 2.5” W (Body)
$300

The Veteran

The Veteran

Paint & Metal on Wooden Sculpture
22.5” H x 11” W (Base) x 2.5” W (Body)
$325

The Lady

The Lady

Paint & Metal on Wooden Sculpture
34” H x 11” W (Base) x 3” W (Body)
$375

Creatures of the Night I

Creatures of the Night I

Oil & Paint on Canvas
30” H x 24” W
$750

Creatures of the Night II

Creatures of the Night II

Oil & Paint on Canvas
24” H x 18” W
$700

Creatures of the Night III

Creatures of the Night III

Oil & Paint on Canvas
24” H x 18” W
$700

Behind the Window

Behind the Window

Oil & Paint on Canvas
23” H x 23” W
$700

The Center

The Center

Oil & Paint on Canvas
29.5” H x 23” W
$750

Evolution I

Evolution I

Oil & Paint on Canvas
40” H x 30” W
$750

Evolution II

Evolution II

Oil & Paint on Canvas
36” H x 30” W
$750

Evolution III

Evolution III

Oil & Paint on Canvas
40” H x 30” W
$750

Confusion I

Confusion I

Paint Sketch on Canvas
22” H x 30” W
$700

Confusion II

Confusion II

Paint Sketch on Canvas
22” H x 30” W
$700

 

headshot-resized“I was born in Italy. My education was up to 8th grade. I came to the USA when I was seventeen. My first job was pressing baby clothes. After I did gardening and landscaping, I worked in the garden of Pauline Trigère. She had many exotic plants that she wanted to look as beautiful as possible. I had to clip them all by hand. That’s when I began to see the wonders and beauty of nature.

In the late eighties, I had a massive heart attack. The doctor told me I had to stop landscaping. The first few months I did not know what to do. I started to paint but did not like it. Then I started to carve and do clay statues and I loved it.

When I walk in the woods, certain shapes of roots get my attention and I have to stop to pick them up. As soon as I put my hands on them, I see what they will look like and what they will become. My job is just to carve certain spots to highlight what I see.

I have been creating these woodcarvings for over twenty years. Some of them have been on display at the New Rochelle library and other local businesses. I have won many prizes for my artwork including first, second, and third prize.”

Dena Schutzer


Bananas

Bananas

Glicée print on stretched canvas
11”x12”

Pears

Pears

Glicée print on stretched canvas
12”x12”

Three Women

Three Women

Glicée print on stretched canvas
9”x12”

 

1“Although painting from life means the working method of direct observation,the term has a poetic meaning for me as it has come to describe my subject matter.

I keep circling back to the same imagery I have been attracted to since I was a teenager.

This is the stuff I stumble upon in the course of my daily business.

Such imagery usually contains the germ of narrative as well as pictorial drama that can become the organizing principal of a painting. I paint from direct observation, on location, as well as from my own photographs, which opens up possibilities of working with fleeting sights.”

 

Irina Gorbman


I See Well

I See Well

Giclee Print
20” x 20”

Water

Water

Giclee Print
20” x 20”

Night at Bahamas

Night at Bahamas

Giclee Print
20” x 20”

Live Green

Live Green

Giclee Print
20” x 20”

Unknown Origin

Unknown Origin

Giclee Print
20” x 20”

Colored Ice

Colored Ice

Giclee Print
20” x 20”

Behind The Curtain

Behind The Curtain

Giclee Print
20” x 20”

Move On Regardless

Move On Regardless

Giclee Print
20” x 20”

Stillness 2

Stillness 2

Giclee Print
20” x 20”

 

IrinaGorbman-headshot-crop

 

After moving from Russia to America, Irina started an art dealer business focused on high-ranking Russian artists, and started to discover her own passion and talent in art.

Through her own painting experience, Irina discovered the healing power of abstract art and its derivatives. Her abstract works are distilled from the soul of nature, infused with a meditative and deeply healing sensation.

“The idea behind my works is to project the positive energy of bright, dynamic colors and make interiors shine.  Create Zen feeling to make people feel happy.

My slogan is, to quote Kandinsky, “To bring the whole into harmony on the canvas is what leads to a work of art.” I like art images look simple, beautiful and exquisite.  Based on original oils, derivative patterns have been designed for giclees, wallpaper and textile applications.  Collection of patterns and hues offers mix and match combination of original paintings, giclees, upholstery, curtains and hand-made rugs – all in one package.”

 

Daniel O’Sullivan


Connemara

Connemara

High Quality Framed & Signed Digital Print
16" x 20"
------
Oil on Canvas Original
24" x 36"

County Mayo

County Mayo

High Quality Framed & Signed Digital Print
20" x 16"
------
Oil on Canvas Original
22" x 28"

Irelands Eye

Irelands Eye

Oil on Canvas Original
12" x 16"

 A Quiet Friend

A Quiet Friend

High Quality Framed & Signed Digital Print
20" x 16"

The Lads

The Lads

High Quality Framed & Signed Digital Print
16" x 20"

The Spaniard

The Spaniard

High Quality Framed & Signed Digital Print
20" x 16"

Road to Kinsale

Road to Kinsale

High Quality Framed & Signed Digital Print
16" x 20"

Old School

Old School

High Quality Framed & Signed Digital Print
20" x 16"

Forever

Forever

High Quality Framed & Signed Digital Print
20" x 16"

A Handsome Boatman

A Handsome Boatman

High Quality Framed & Signed Digital Print
20" x 16"

A Quite Pint

A Quite Pint

High Quality Framed & Signed Digital Print
20" x 16"

 

DanielOsullivan-headshot

Born in Ireland, Daniel O’Sullivan is an entrepreneur and artist now living in the United States. Dan’s experiences growing up in the Emerald Isle provided hazy memories for a dreamlike accounting of how this beautiful land looked not so long ago.

“Indeed, some parts of Ireland still retain this mystical, mythical character to this day. The Celtic tiger did not diminish the natural beauty of the entire country, thank God.”

There are a total of 14 paintings in the series and each one represents an actual experience of the artist’s travels through Ireland as a child and as a young adult. Each painting is meticulously hand painted on stretched canvas using the highest quality oil based paint available.

Each painting also tells it’s own story and, when viewed together, all of the paintings combined paint a bigger picture of this small yet wonderful land.  It is the hope of the artist that the paintings bring to mind a sense that one’s life need not be complicated in order to be a life well lived.